Description
A courtroom sketch artist delights in committing portraits of their lover to paper but their need to capture likenesses forever is revealed to have darker, more complex intentions. A child’s schoolyard crush on a saint marks a confrontation with the reality of a teenage body in flux.
Elsewhere, an editor of canned laughter loses their confidence and seeks divine intervention, and an essayist annotates their thoughts on Keats by way of internet-gleaned sex tips. Moderate to Poor, Occasionally Good hums with fossicking language and ingenious experiments in form and considers notions of playfulness, authenticity and care as it holds relationships to account: their sweet misunderstandings, soured reflections, queer wish fulfilments and shared, held breaths.
